Summary (no spoilers)
In a near future where televised entertainment has evolved into nonstop extreme games, Adam, a disgraced former professional runner, is forced to take part in « Running Man, » an omnipresent, ultra-violent manhunt show. To win his freedom and protect loved ones, he must navigate technological traps, urban combat zones, and sponsored trackers. The film follows his struggle to survive while exposing the mechanisms of a voyeuristic society.

Overall opinion (no spoilers)
Edgar Wright steers his style toward a high‑energy thriller that combines frantic pacing, electrifying editing, and sharp dark humor. The film blends choreographed action set pieces with biting social critique, supported by dynamic performances—especially Boyega, who alternates vulnerability and resolve. Visually punchy and musically savvy, Running Man charms through its energy and sense of tempo.

Detailed critical analysis (SPOILERS — read only if you accept revelations)
• Screenplay and themes : Wright transforms the premise into a contemporary satire of spectacle and social networks, cleverly playing on the gamification of violence. The twist revealing audience manipulation and a major conglomerate’s involvement is convincing, though some developments (notably the program’s origins and governing bodies) remain surface-level.
• Characters : Adam has a solid arc—from shame to sacrifice—and Boyega delivers a charismatic performance. Maya (Pugh) is well-written as a moral counterpoint and strategic ally; their relationship earns credibility. Some secondary characters (notably influencer-type contestants) fall into caricature, which can lessen the emotional impact of their fates.
• Direction and pacing : Wright’s eye for composition and editing serves the action well; inventive transitions keep tension high. The humor, often dark, never undermines suspense. The third act escalates with bold sequences, though visual density can sometimes hinder spatial clarity in fights.
• Action and choreography : Pursuits are imaginatively staged—smart use of urban spaces and surveillance tech. Hand-to-hand scenes mix blunt strikes and inventiveness (repurposed gadgets, urban traps). A few digital effects feel slightly too glossy against an otherwise more grounded aesthetic.
• Music and sound : The score—rhythmic and at times electronic—perfectly supports the editing, almost acting as a character. Sound design for tracking systems and combat arenas is immersive.
• Weaknesses : The film occasionally sacrifices deeper sociopolitical background for the relentless mechanics of spectacle. The final resolution, relying on a spectacular public act to turn opinion, is powerful but occasionally grandiose.
• Standout moments : The nocturnal infiltration of an advertising arena and the opening sequence—which immediately establishes the world through a rapid montage of clips and titles—are particularly effective.

Conclusion : Why Running Man is one of the best new movie ?
Running Man (Edgar Wright) is an energetic, intelligent thriller that combines inventive action, social satire, and the director’s unmistakable sense of rhythm. Highly recommended for fans of stylized action and sharp societal critique; viewers seeking a quiet intimate drama or a deep political analysis may be left wanting.

You can fin the trailer on youtube :